Capello: All sports in China are great. Why not football?

Live on November 8th In an interview with titan sports, Capello, a famous Italian coach who once coached Jiangsu Suning, talked about his views on China football.

-You have coached star players like teixeira in Suning, and also coached many China players, including some international players. What’s your impression of China players?

I always had the feeling that when I saw those China players, they looked great. But when foreign aid arrived, they seemed to get worse in speed and technology. It stands to reason that with such a huge population base, supplemented by care and determination, China football should produce great stars. You are great at all sports, why not football?

A huge difference between China football and Italian football is that foreign aid can make everything different in the China League; Not in Italy.

Of course, for China football, foreign aid still plays a role: playing with better players will help you become better. Similarly, Serie A teams need to adapt to a faster pace when they play in the Champions League. Once upon a time, Italian football was at the top of the world. The root cause was that the best players played in Serie A at that time. They improved the rhythm of the whole league, so everyone played better.

-I don’t know if you remember that Min Kim Zai once played for the Super League, but it was after you left Jiangsu. Naples, where Min Kim is located, has not only performed well in the league, but also demonstrated its full dominance in the European War.

Italian football is growing. Don’t forget that we won the European Cup last year. Naples is amazing as well as surprising. This club knows how to find good players. Min Kim and Kvaratskheliya, two Serie A players, have the strength to be top stars in any league, because they have both strength and skills, are extremely focused in the game and are gifted! Don’t forget, they are still very young.

(Nanling cries and cries)

Discover the Spring Film Festival in the depths of Beijing’s hundred flowers.

  Tonight, the 13th Beijing International Film Festival opens. In the blooming season of Beijing, walk into the depths of flowers and discover the spring film festival. The film festival will be held from April 22 to April 29, with the theme of "light and shadow sharing, mutual learning of civilizations".

  Last night, the red carpet of the opening ceremony was held in Yanqi Lake International Conference Center. Beijing International Film Festival sent a sincere invitation to the world to "come to Beijing to see the best movies in the world in spring". This is after 2019, and after a lapse of three years, the Beijing International Film Festival will be held again in April.

  The first to walk on the red carpet is the lineup of the "Tiantan Award" jury of the 13th Beijing International Film Festival. Director Zhang Yimou said that he was honored to be the chairman of the jury this time and hoped to recommend more good films to everyone.

  Chen Kexin is the chairman of the final jury of venture capital in the 13th Beijing International Film Festival. He said that moving stories are the most important for good movies, and he expected to find more good directors and writers.

  On the same day, Women on the Verge’s Beijing 2022, Legend, Countdown Love You, Prosecutions, Look at a Bridge, I’m not familiar with the road of life, I don’t want to be friends with you, The Great War to Resist US Aggression and Aid Korea, She Disappeared, and Chen Kaige, Jackie Chan, Adam, Gulnazar, Kara Wai, NiNi, Wu Dajing.

  The main activities of the 13th Beijing International Film Festival are rich and colorful, including the main competition unit "Tiantan Award" award, opening ceremony, Beijing screening, Beijing planning theme forum, Beijing market, film carnival, college student film festival, closing ceremony and award ceremony, and "film+"nine main sections. These activities will be fully resumed offline.

  Text/Reporter Xiao Yang Coordinator/Man Yi Photography/Reporter Cui Jun Cartography/Shine Wong

  exhibition show

  Opening of the "Beijing Exhibition" module

  On April 20th, the "Beijing Exhibition" unit officially kicked off.

  At 10 o’clock in the morning, the documentary "gregor and his wife — — Come with me to the cinema opened the first screening of "Beijing screening" in the Art Cinema of China Film Archive, offering a vivid and touching film lesson for fans. Mr. and Mrs. gregor are legendary partners in the film industry. They got to know each other and fell in love with each other because of their films. They set up a fan organization for film screening activities, and jointly founded their own well-known art cinema "Arsenal Cinema". They also founded the Youth Film Forum unit of Berlin International Film Festival, and discovered a large number of outstanding film creators.

  Since then, the annual explosion "Holiday after Sunbathing", Berlin International Film Festival Silver Bear Award film "The Big Dipper", Kubrick’s masterpiece of film history "2001: A Space Odyssey", Douban’s "No.1" The Shawshank Redemption, and the classic animation IP new work "Lubang III VS Cat’s Eye Three Sisters" have appeared in various cinemas one by one. Xie Fei, a famous director, also visited the exchange site of the latest restored 4K version of "The Soul Girl" at Beijing Broadway Film Center (Wanguocheng Store).

  There are many highlights in the screening program on April 21st. Master reviews the official debut of Seijun Suzuki series, and legendary works such as Youth of the Beast and the latest 4K restored Killer Brand will meet the audience. In the unit "Ten Years of Silk Road, Associating the Future: The Film Connected to Asia", masterpieces such as Hua Lu A Zhu Ma, His Autobiography and Autumn Harvest Full Moon will lead you to travel around Asia and appreciate the cultural customs of various places. New films with high reputation, such as Huge, White Plastic Sky, Blind Willow and Sleeping Girl, Daydream in the Moon Age, were released together.

  The main creative exchanges such as Night is Coming by UME Studios (Huaxing IMAX Store) and Cosmic Exploration Editorial Department of Meijia Happy Studios (Sanlitun Store) also made fans look forward to it.

  activity

  Yang Fan movie master class is about to open.

  On April 25th, Yang Fan movie master Class will be held with the theme: last romance inside and outside the play.

  Yang Fan is a photographer, director and writer in Hongkong, China. He not only created a large number of excellent films that are famous at home and abroad, but also was a photographer, writer and collector, and also devoted himself to music and dance. Whether in or out of the play, his life can be described as last romance.

  In 1968, Yang Fan went to the United States to study film. After returning to China in 1973, he started his career of professional photography and film creation. First, he founded Peanut Film Agency Co., Ltd., and then "Yang Fan Film Studio" and became a famous photographer. In 1984, he transformed into a director, writing and directing his first feature film The Diary of a Teenage Girl. In 1985, he adapted Yi Shu’s novel The Story of a Rose into a film, which received enthusiastic response.

  In 1995, Yang Fan turned his camera to a more challenging theme and made the film bugis street, with which he was shortlisted for the panoramic unit of the 62nd Berlin International Film Festival. In 1998, his self-directed film bishonen was nominated for the Best Art Design Award in the 35th Taiwan Film Golden Horse Award.

  In 2001, his feature film "Dream in the Garden" was selected as the top ten best films in the world by Time Magazine, and won the Best Costume Design Award at the 21st Hong Kong Film Awards. In 2003, the documentary "The Rockhopper" was specially shown at the 60th Venice International Film Festival. In 2009, the drama Prince of Tears was selected as the main competition unit of the 66th Venice International Film Festival.

  The "Metacosmic Film Forum" is about to open.

  The 13th Beijing International Film Festival "Metacosmic Film Forum — — The digital grand view in the meta-universe is about to open across time and space! From April 25th to May 2nd, we met at the Meta-Universe Film Forum to discuss the digital grand view in the Meta-Universe, looking at each other with the past and the future.

  From April 25th to May 2nd, the 2nd Meta-Universe Film Forum, co-sponsored by Beijing International Film Festival Organizing Committee, Propaganda Department of CPC Tongzhou District Committee in Beijing, Science and Technology Committee of Tongzhou District in Beijing, and Mandrill Film Exhibition, will be held in the "Immersive Digital Meta-Universe Film Forum Space" where digital reality is integrated. Heavyweight guests and scholars from the industry are invited to join hands in the digital space to raise new questions, share new ideas and expand new directions during the development and construction of the meta-universe.

  The theme of the second Metauniverse Film Forum is "Digital Panorama in Metauniverse". Science fiction writer Liu Cixin, director Tang Jili, screenwriter Wang Hailin, general manager Li Tingwei of Poly Film, general manager Yao Wenlong of Inner Mongolia Film Studio, professor Li Mingtao of Central Academy of Drama, lawyer Pang Lipeng and director Lagu Tu, eight guests will look at the present and future in the digital space of Meta-Universe Film Forum, and discuss the influence of digital film and television technology development and digital film and television content production on social culture, economy, life and entertainment. (This group/reporter Xiao Yang)

  Looking back at twelve springs

  The First Beijing International Film Festival

  Held from 23 to 28 April 2011

  852 films from 57 countries and regions were collected, 230 films were selected and 429 films were shown.

  The total contracted amount reached 2.794 billion yuan.

  The 2nd Beijing International Film Festival

  Held from 23 to 28 April 2012

  260 outstanding films from 54 countries and regions were screened.

  The total contracted amount is 5.273 billion yuan.

  The 3rd Beijing International Film Festival

  Held from 16 to 23 April 2013

  531 films from 56 countries and regions entered the competition, and 26 cinemas showed 260 excellent business cards at home and abroad.

  27 projects were signed, with a total contract value of 8.731 billion yuan.

  The 4th Beijing International Film Festival

  Held from April 16th to April 23rd, 2014.

  The total contracted amount is 10.521 billion yuan.

  Beijing has become one of the most active, attractive and largest film markets in the world.

  The 5th Beijing International Film Festival

  Held from April 16th to 23rd, 2015.

  A total of 930 films from 90 countries and regions signed up for the Tiantan Award.

  36 contracted projects were realized, with a total contracted amount of 13.845 billion yuan.

  The 6th Beijing International Film Festival

  Held from April 16 to 23, 2016

  The film market signed 16.331 billion yuan, an increase of 17.968% over last year.

  The 7th Beijing International Film Festival

  Held from April 16 to 23, 2017

  A total of 56 key projects of 108 enterprises have reached signing cooperation, with a total amount of 17.458 billion yuan, an increase of 6.9% over last year. The signing amount of the film market has been more than 10 billion yuan for four consecutive years.

  The 8th Beijing International Film Festival

  Held from April 15 to 22, 2018

  A total of 79 enterprises have signed contracts for 38 key projects with a total amount of 26.0825 billion yuan.

  The 9th Beijing International Film Festival

  Held from April 13 to 20, 2019

  "Beijing screening" attracted 230,000 people to watch movies.

  The 10th Beijing International Film Festival

  Held from August 22nd to 29th, 2020.

  More than 430 exhibitors participated in the cloud Beijing market. A total of 21 key projects and 46 enterprises signed contracts on the spot, and 110 projects were signed and released in the Beijing market, with a total amount of 33.089 billion yuan, an increase of about 7% year-on-year.

  The 11th Beijing International Film Festival

  Held from September 21st to September 29th, 2021.

  Nearly 300 Chinese and foreign films with more than 1,200 screenings were shown in 31 cinemas in Beijing, Tianjin and Hebei.

  A total of 44 key projects and 39 enterprises were signed and released in the Beijing market, with a total amount of 35.223 billion yuan.

  The 12th Beijing International Film Festival

  Held from August 13th to 20th, 2022.

  The number of short-listed films registered worldwide reached 1,450, and 84 domestic and foreign excellent films were shown online.

Changsha Nightlife premiered in Changsha, LAY Changsha Dialect Teaching Chen Kexin.


1905 movie network news Recently, the film was premiered in Changsha. The premiere started from "Super Wenhe Friends" and crossed Fisherman’s Wharf, Taiping Old Street, Xiangjiang Cruise and Hunan Museum … … Lead the audience to appreciate the beautiful food in Changsha and share the stories of Changsha created by many masters.


The producer, director and screenwriter of the film, actors, singers, etc. came to the scene, theme song singers Bird and Lu Hu sang their hearts out, and friends such as "Good Six Groups",,, and Wei Ruxuan interacted enthusiastically. The movie premiere first moved into the night snack stall, and the lively color made Hunan ignite the May Day "Changsha fever" in advance.


The premiere went into the midnight snack booth, and the fireworks were full of human feelings. 

Chen Kexin supported Zhang Ji’s touching friendship with appreciate each other.


This premiere specially entered the "super writers and friends" with the characteristics of old Changsha, and created Changsha memories in series with several letters from home, and tasted Changsha snacks in an interesting and interactive way. Producer Chen Kexin, director and screenwriter Zhang Ji, YIN FANG, Zhang Jingyi,,, specially starred in LAY and theme song singers Bird and Lu Hu all appeared, and He Jiong and Li Xueqin joined in, in order to advance Amway’s most fun, delicious and moving Changsha nightlife for the audience.


At the premiere ceremony, the film producer Chen Kexin, as a ten-year old friend of director and screenwriter Zhang Ji, supported Zhang Ji’s directorial debut, and the two creators shared the past with emotion on the scene. Eleven years ago, Chen Kexin filmed, and his script was Zhang Ji’s first feature film as a screenwriter. Eleven years later, Zhang Ji took the lead as a director for the first time. After receiving a WeChat invitation from him, Chen Kexin resolutely acted as a producer and escorted his directorial debut.


Chen Kexin’s evaluation of this work is a projection of Zhang Ji’s personal experience, and it is also his long-term insight and understanding of small people and ordinary life. He admitted that although he did not understand Changsha dialect and was not so familiar with Changsha, he was deeply touched by this Changsha story. He firmly believes that "this movie is a touching, warm and exciting story for everyone who has a family and struggles in the city". When it comes to creation, director Zhang Ji said that the filming of this work was based on the night of a family in Changsha, telling every ordinary and special night of every family in China, wrapping life with choking fireworks, and writing about China night with Changsha night.


As "the person who knows Changsha best", He Jiong, a good friend, also appeared on the live broadcast, leading the "Good 6 Group" Li Xueqin, Time Youth Group-and Wu Zelin to share their way of spending their nights in Changsha. Aska Yang and Wei Ruxuan generously share tasty shrimp; The "Nanbowan" men’s team took the audience to punch in the Hunan Museum to decrypt the rune code of Mawangdui and explore the nightlife in Changsha two thousand years ago; Jenny Zeng appeared on the cruise ship "Orange Island Star" for a night tour of Xiangjiang River … …


Chen Kexin, Teaching Changsha Dialect in LAY 

YIN FANG Zhang Jingyi’s affectionate duet sparks fly.


At the live broadcast of the premiere, LAY’s reply to Changsha was exposed for the first time. He wrote emotionally from the perspective of He An, the role in the film, "It was my mother who gave me the confidence to pursue my dreams and the direction to go home". Talking about the feelings of dialect playing He An, LAY said: "On the one hand, the persistence of Changsha dialect represents He An’s persistence in his dream, on the other hand, it is also my own small wish: I hope more people will fall in love with Changsha dialect and Changsha."


As a film producer, Chen Kexin praised LAY’s dialect performance, and LAY taught Chen Kexin to speak Changsha dialect on the spot. From dinner appointment to film appointment, Chen Kexin imitated it fluently, showing his language talent, and the crew interacted with each other tactfully and warmly, which complemented the film atmosphere. In addition to LAY, many actors in the film have special memories of Changsha. YIN FANG and Zhang Jingyi exposed their old photos of Changsha at the premiere ceremony, saying that "they have deep feelings with Changsha and are very proud to be in such a film for Changsha!"


In the film, they led the audience to the streets of Changsha, resolved their troubles in a night tour, and ushered in the warming of their emotions. At the premiere, YIN FANG and Zhang Jingyi sang "Don’t Send Me" with deep affection, which made the audience more curious about the emotional collision between the literary otaku and the daring Xiangmeizi. The theme song "Sender Changsha" brought by Bird and Land Rover injected a unique warmth into this enthusiastic activity, and showed the human touch of this online celebrity city to the fullest.


The premiere of the cinema was stamped "Changsha Pride" by Changsha audience. 

The film is dedicated to Changsha Welfare and given to the audience for May Day.


After the premiere live broadcast, producer Chen Kexin, director and screenwriter Zhang Ji, starring YIN FANG, Zhang Jingyi, Sophie Su, Luo Gang, especially LAY, appeared in Changsha Studios to meet the first audience who watched the movie "Nightlife in Changsha" in China. They not only shared their touching memories about Changsha, but also complained about the feelings of "Xiang" with the sound of "Xiang" at the scene and expressed their feelings about Changsha.


It was the passion and love of the film’s masters that led them to write a love letter dedicated to their hometown, and the audience was also infected by the real and vivid Changsha night in the film, praising the film for "shooting a lot of details that made old Changsha smile" and "feeling the master’s love and sincerity for Changsha" and "this is the real Changsha night life".


In addition to "truth" and "cure", many viewers were touched by the feelings of He An and his father: "I saw the miniature between my father and me in the movie" "This is the Chinese father and son! To resolve all the debts and apologies in life, don’t say sorry, a meal is enough. " The director projects his own experience into the characters, and at the same time, with this accurate observation of life and the head-up care for ordinary people, the audience can gain emotions and be cured while enjoying the colorful nights.


In Shanghai Metro Station, women are wearing cool, and the "pattern" on the back has become the focus.

Every legend will fade over time

Some people say that beauty is an art, not just wearing it. They are daring to act as the first person for their fashion forefronts.

Just as the "non -mainstream" and "killing Matt" pursued by the post -90s, the "Curry", "JK uniform", "Hanfu culture" pursued after 00s and so on.

From the perspective of the 90s today, the original avant -garde thought was just a legend, which had faded, and only had some naive and ridiculous memories. Those who were once considered to be mature are just alternatives in the eyes of adults. One day, maybe these post -00 children should also think the same as us.

Some people say that today’s beauty has been subtly involved, the avant -garde thought, and the "deformity" born in the times, they gradually changed the definition of beauty, no longer the innocence and natural beauty of the 70.80s, but the individuality and thoughts pursued by young people’s pursuit Open, they put the definition of "beauty" on exposed wearing, personalities, charming perfumes and luxurious decorations.

In the past, "beauty" was wore for yourself, and the current "deformity beauty" was appreciated by others. Although there were different praises, they didn’t care about this, just as the words on the Internet: "Take your own way, let others let others have others, let others make others others, let others make others others Isn’t it true of us in the past? We ca n’t appreciate others at all, and only we will appreciate it ourselves.

Women of the subway station are cool, and the "pattern" on the back becomes the focus

Some netizens published a scene located in the Shanghai Metro Station. A young and fashionable woman walked in the subway station in a cool and fashionable woman, which attracted the attention of many passers -by.

She wore a short vest on her body, and the whole back was basically in the air. It seemed that this was her real "clothes" with the entire pattern. I can’t help but want to ask if people who have tattoos like to wear clothes like this, whether men and women.

This pattern is not expected to be the focus of everyone’s appreciation. The pattern is covered with the entire back. Only a small part is blocked by the clothes behind. It is obvious that the pattern of a woman dancing at the face is obviously seen.

Her lower body is a black shorts, with two short clothes on the calf part, which should be connected with pants, but she unlocked the connected buttons to form such a shape. Essence

Her arms are two sleeves, like pants, and cut off, but this is not connected to the vest of the top.

If it is hot, wearing cool feelings, but she wears shoes, short clothes and sleeves of the arms, which really makes people really understand whether she is afraid of heat or cold.

Perhaps in her opinion, she just dedicated her to the art of behavior, not to wear warmth or cool clothes. She didn’t care about the gaze of others, and she was more self -confidence.

Indeed, she successfully attracted the attention of passers -by, and many people obviously had passed, and she couldn’t help but look back.

It may be that everyone’s circle is different, different thoughts, and behavior is different. Some women have a soft spot for their own feelings. They think this is an art, fashionable art.

Anyway, the times are developing rapidly today, and thoughts will change with this. Blind traditional thoughts are not a good thing. In this era, some avant -garde people need to open the way for us. Appreciation, this is not a unique beauty.